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Special Silver Conference

A Winterthur Silver Symposium
American Silver of the Early Nineteenth Century

in conjuction with the exhibition

Silversmiths to the Nation:
Thomas Fletcher and Sidney Gardiner
1808-1842

Friday & Saturday, September 5 & 6, 2008



Symposium Schedule | Speaker/Instructor Bios
Workshops | Registration | Lodging

SYMPOSIUM SCHEDULE

All lectures will be held in Copeland Lecture Hall (located in the Visitor Center). All workshops will take place in the museum or the research building.

Friday, September 5
9:00-9:15 am INTRODUCTION: Silver collection and research at Winterthur, context of the Silversmiths exhibition
J. Thomas Savage, Director of Museum Affairs, Winterthur

9:15-10:15 am Ambitious Appetites: Achieving Splendour, 1800 to 1840
Philippa Glanville, Liveryman of the Worshipful Company of Goldsmiths and former Chief Curator of Metalwork, V & A, London, England

10:15 - 10:45 am MORNING BREAK


10:45 - 11:45 am Making and Marketing Luxury Goods in Early Nineteenth-Century England
Beth Carver Wees, Curator of American Decorative Arts, The Metropolitan Museum of Art, New York, NY

11:45 - 12:45 pm City in the Republic: Philadelphia After the Revolution
Cathy Matson, Professor of History, University of Delaware, Newark, DE

12:45-2:00 pm LUNCH


2:00-3:00 pm Early Nineteenth-Century Philadelphia Silver and Silversmiths
David L. Barquist, The H. Richard Dietrich, Jr. Curator of American Decorative Arts, Philadelphia Museum of Art, Philadelphia, PA

3:00 - 4:00 pm Nineteenth-Century American Flatware Technology and Design
D. Albert Soeffing, independent scholar, author, and instructor in the NYU Appraisal Studies Program, New York, NY

4:00-4:30 pm AFTERNOON BREAK


4:30 - 5:30 pm Styles in American Jewelry of the Nineteenth Century
Janet Zapata, independent scholar and decorative arts consultant, Short Hills, NJ

5:30-7:30 pm RECEPTION (Galleries Reception Area)


Saturday, September 6
9:00-10:15 am WORKSHOP SESSION I


10:30-11:00 am MORNING BREAK


11:00 - 11:45 am Patriots and the Ancients: Fletcher & Gardiner's Presentation Silver and Gold
Ann Wagner, Associate Curator of Decorative Arts, Winterthur Museum, DE

11:45 - 12:30 pm Silver for the Nation: Fletcher & Gardiner's Household Silver
Donald L. Fennimore, Curator Emeritus, Winterthur Museum, DE

12:30 - 1:30 pm LUNCH


1:00 - 4:00 pm Special silversmithing demonstration in the Rotunda
Stephen Smithers, silversmith, Ashfield, Massachusetts
Steve's demonstration will include a survey of the history of silversmithing, from the earliest working of silver around the world through the modern day. He will focus on American silversmithing from the first silversmiths of Boston, New York, and Philadelphia through the emerging technology of the early nineteenth century, with particular attention given to the works of Thomas Fletcher and Sidney Gardiner of Boston and Philadelphia. The presentation will include a demonstration and discussion of the numerous tools of the trade, and the techniques employed by the master silversmiths of America.

1:45 - 3:00 pm WORKSHOP SESSION II


3:15 - 4:30 pm WORKSHOP SESSION III

In keeping with our commitment to condition, craftsmanship, rarity, and provenance, we are pleased to offer the limited edition ornaments of

Sculpture
Workshop
Designs





Sculpture Workshop Designs, a partnership of sculptor Fred Kreitchet and writer/video producer William Graham, has been issuing sterling silver Christmas ornaments since 1985.

Designs for the large silver medallion ornaments, which are titled, dated, and issued in limited edition, is a collaborative process. Once research has been performed, sketches considered, and a design determined, Kreitchet, who holds a master's in fine arts from the University of Pennsylvania, begins in his studio in Blue Bell, Pennsylvania.

To create the Christmas ornament design, the artist first works a large model in clay to shape his figures and then in plaster to carve, cut, scrape, and sand his final image. The elaborate imagery and fine detail, be it the feather of an American bald eagle or Santa Claus bowing his beloved violin, are identifying characteristics of Kreitchet's bas-relief creations.

Once the plaster model is completed, the image is reduced and a set of dies is made for the obverse and reverse of the final ornament. Sheet silver is pressed between these dies and the ornament is born.

The patinated and polished ornaments originally came with a loop ring and red satin ribbon, along with a story card that included the edition number. In 1987 the company began adding hand-engraved edition numbers on the back of each ornament making them even more appealing to limited edition collectors, who represent a substantial percentage of the Sculpture Workshop audience.

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info@silvervaultcharleston.com


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